The graphic design agency that makes the material your sales team actually sends.

We don't make one pretty file and vanish. We produce the ad creatives, sales decks, brochures and trade show pieces your people use every week, on the brand you already have and on a turnaround a campaign can plan around.

Your brand exists. The material can't keep up.

  • 01

    Every campaign waits on the designer

    The campaign is ready except for the creative, stuck behind someone else's job. The launch slips, and the month's budget runs on last quarter's images.

  • 02

    Sales rebuilds the deck themselves

    The official deck is out of date, so every rep keeps a private version with their own edits. By the time it reaches a buyer, it carries three fonts and last year's prices.

  • 03

    The brochure doesn't match the website

    Print, web and social were made by different people in different years. A buyer comparing vendors notices, and a company that looks inconsistent reads like one that delivers inconsistently.

  • 04

    Nobody can open the source files

    The last freelancer kept the working files, or sent flattened PDFs you can't edit. Every small change becomes a paid request.

So what does a graphic design agency actually do all month?

A graphic design agency turns an existing brand into the material a company sells with: ad creatives, social graphics, landing page visuals, sales decks, print pieces and trade show material. Branding decides what the company looks like. Graphic design applies those decisions to every format, at the specifications each channel demands.

In practice that's six jobs: briefing, layout, adapting across formats, print preparation, editable templates, and keeping files organised so the next request starts where the last one ended.

A designer who only does layout is a pair of hands, and you're left with the other five jobs.

  1. 01

    Briefing

    What the piece has to make someone do

  2. 02

    Layout

    The design itself, on your brand

  3. 03

    Adaptation

    One idea, every size and channel

  4. 04

    Print prep

    Bleed, color profiles, printer specifications

  5. 05

    Templates

    Files your team can safely edit

  6. 06

    File management

    Working files kept, named and yours

Formats

We design the formats that do the selling

Your material gets used in three places, and rarely do all three need help at once. The first call shows which one is holding up campaigns or sales.

  1. Ads and social

    Paid ads, social posts, landing page visuals

  2. Sales conversations

    Sales decks, one-pagers, proposals, product sheets

  3. Print and events

    Brochures, catalogues, trade show stands, packaging

  • Ad creatives

    Several variants per concept, sized for Meta, LinkedIn and Google Display placements.

  • Social graphics

    Carousels, post templates and story frames your social team can reuse without us.

  • Landing page visuals

    Hero images, section graphics and icons that match the ad that sent the click.

  • Sales decks

    A master deck with editable slides, so reps change the content and never the design.

  • Brochures and catalogues

    Print files with bleed and color profiles set, plus a light PDF for email.

  • Trade show material

    Stand panels, roll-ups and handouts, built to your printer's exact specifications.

We put design on a schedule your campaigns can plan around

  1. Intake

    Week one starts with what you already have: guidelines, working files, and the pieces sales and marketing really send. We list what's missing, what's out of date and what gets rebuilt by hand.

  2. Brief

    Also in week one, we agree a short brief format and a turnaround window for each type of request. After that, a complete brief gets its delivery date the same working day.

  3. Templates

    In weeks two and three we build the master files: the deck, the ad frames, the social templates, the print grid. Everything after starts from them, which keeps the fiftieth piece consistent with the first.

  4. Production

    From week three, requests run in a steady queue. Standard pieces like an ad set or a social batch come back within three working days, and a catalogue or trade show stand gets its own date at briefing. You review in one round of collected comments, not a chain of emails.

  5. Review

    At the end of month one we check which pieces ran in campaigns or reached buyers, which sat unused, and where requests stalled. Next month's queue comes from that list, not the original wish list.

Why teams that sell hand their design work to Elevalo

  • 01

    A senior designer, not a junior with a template

    The person laying out your deck knows why a slide falls flat in front of a buyer. Briefing, file preparation and version tracking run on systems we built, so senior hours go into design decisions instead of resizing banners.

  • 02

    Turnaround is agreed before the first request

    Every type of request gets a delivery window in writing during onboarding. If a piece is going to miss it, we tell you before the date, with the reason and a new time. You don't have to chase it.

  • 03

    The source files are yours

    Every working file sits in your account from day one. If we part ways, it's all still there.

  • 04

    We ask what the piece has to do

    A brochure for a trade show and one for a sales follow up are different jobs. The brief says which.

  • 05

    Reviews start with what got used

    Each month opens with the pieces that ran in ads and reached buyers. Pieces nobody used get questioned, not repeated.

Design production that runs every week, on the brand you already have

  • Brand files audited first

    We audit your guidelines, working files and live material first, so production starts from what exists instead of redrawing it.

  • Ad sets built for testing

    We produce ad creatives in several variants per concept, so your media buyer has real options to test against each other.

  • Decks reps can edit

    We build master sales decks with locked layouts and editable content, so reps update the figures without breaking the design.

  • Print files ready for press

    We prepare brochures, catalogues and packaging to your printer's specifications, so files go to press without a round of corrections.

  • Trade show kits on time

    We schedule stand panels, roll-ups and handouts backwards from the show date, so everything reaches the printer before its deadline.

  • Landing pages that match ads

    We design landing page visuals from the same master files as the ads, so the click lands on a page that looks familiar.

  • Working files handed over

    We store every working file in your own account, named and versioned, so any designer can pick up where we stopped.

Your industry

Design that fits how your industry sells

Pick yours to see which formats we plan for it.

The person who signs off your design work

Nicole sets the design direction for your account, approves every piece before it reaches you, and answers when you ask why a layout looks the way it does. She stays on the account for as long as the work runs, so nobody has to explain your brand rules again in month four.

Get your proposal

Frequently asked questions

What's the difference between graphic design and branding?

Branding builds the identity: the visual system, the colors, the type and the rules for using them. Graphic design applies that identity to the material you use every week. If your identity isn't settled yet, that work comes first.

How much does a graphic design agency cost?

It depends on how many pieces you need each month, how many formats each one runs in, and how much print and packaging is in the mix. A steady stream of ad graphics isn't priced like one large catalogue a year. We price yours in the proposal after the call, once formats and volume are agreed.

How fast do you turn requests around?

Standard pieces such as an ad set, a social batch or a one-pager come back within three working days of a complete brief. A sales deck, a catalogue or a trade show stand gets its date when the brief is agreed. We write every window down during onboarding.

Who owns the design files?

You do. Working files sit in your account during the work and after it, in Figma, InDesign or Illustrator formats any designer can open.

Get your proposal

A relaunch that needs every file redone, a drop in revenue, a new market that needs its own material, or a design agency on the way out. Any of the four is reason enough to talk. Tell us what's happening. After one call, you'll get a written, priced proposal.

  • Material audit

    Your brand files and the pieces sales sends

  • Agreed turnaround

    A delivery window per request, in writing

  • Files you own

    Every working file stays in your account